Post by account_disabled on Feb 19, 2024 23:14:52 GMT -6
The Huichol people are the cradle of virtuoso artists who express themselves through sublime creations and Wixárika symbology which is full of omens, visions and magic. These different works of art have managed to reach various continents and countries to be admired through actions such as the 3rd. Huichol Art Biennial, which exhibits a collection of more than 30 outstanding works by the most outstanding Wixáritari (Huichol) artists.
Some of them like Cilau Valadez, who on this occasion in synergy with the Biennial participates with one of his creations in collaboration with Benito Quintero, the work is called Ta' matzi Paritzika Nierikaya (the essence of the expression of Wixárika culture), and another from his father Mariano Valadez, since we are talking about a legacy of history and art. Both authors on this occasion delight us with some of their most transcendental works.
Cilau Valadez is originally from the municipality of Santiago Ixcuintla, in Nayarit, and thinks he was born to dedicate himself to art. He grew up surrounded by great teachers, the main one being his father, Mariano Valadez, a distinguished artist who has more than 50 years of experience, who is considered a living legend of Huichol art.
Cilau and his family are characterized by painting with yarn, a technique that consists of using a wooden base to which a layer of beeswax or pine resin is applied so that the yarn adheres, which is pressed with a tool that is a needle that has an eagle feather. These creations are called Nierikas.
The dynasty to which the young Chile Mobile Number List artist belongs has preserved this method for generations, and stands out for the quality of its work. "We were always known for having the finest fabrics and care for every detail in the yarn, not so much for the scale or size of the works," said the 34-year-old artist. Valadez has traveled the world extolling Mexican popular art through presentations in America, Europe, as well as others in Oceania and Asia.
In 2006, Cilau Valadez made his first professional painting, in which he captured the meaning of his name, which is "the vibration of dawn." This piece marked the beginning of her career, since thanks to her the Atotonilco Gallery, in San Miguel de Allende, made her first order, which was a piece called "The Big Surprise." This work is key in Cilau's career, because it is there where she ends up defining his style, driven by the teachings of his teacher Marakame don Julio and by the influence of her life outside of tradition. wixárika .
The artist's paintings are inspired by three branches: one is the Wixárika tradition that comes from songs and prayers; another is from the visions that he obtains in ceremonies and the last are personal contributions. He usually works on round surfaces, although he also paints on square or rectangular areas. A piece of 60 centimeters in diameter takes a minimum of 28 days to make, but there are others of the same size that can take up to two months, depending on the details and colors used in each one.
The Biennial, an artistic, cultural and ethnic meeting that you cannot miss
The 3rd. Huichol Art Biennial is an anthropological, artistic, cultural, academic and ethnic meeting in which fascinating large-format pieces are exhibited, created finely and meticulously in every detail by different women and men artisans. This Biennial is on display in the lobby of the Presidente InterContinental hotel located in Polanco in CDMX and seeks to create a sustainable ecosystem around Mexican popular culture, especially Huichol, and will have exhibitions in different cities in Mexico such as Valle de Guadalupe, Los Cabos, Riviera Nayarit and Tulum. As well as a promising international tour.
The director and founder of the Biennial Mtro. Jorge Martínez has specialized in indigenous anthropology, Huichol culture and art for more than 15 years, which led him to give life to this great project that is the most important competition of this cultural expression. This Biennial has the endorsement of important juries such as the curatorship of Dr. Johannes Neurath, Director of the Cora Huichol Room of the National Museum of Anthropology and president of the jury committee. Works participate in the Biennial that will be evaluated by a panel of experts and based on a thorough review of technique, style, iconographic meaning and composition. The winner will receive conscious support for the sustainability of their project.
Some of them like Cilau Valadez, who on this occasion in synergy with the Biennial participates with one of his creations in collaboration with Benito Quintero, the work is called Ta' matzi Paritzika Nierikaya (the essence of the expression of Wixárika culture), and another from his father Mariano Valadez, since we are talking about a legacy of history and art. Both authors on this occasion delight us with some of their most transcendental works.
Cilau Valadez is originally from the municipality of Santiago Ixcuintla, in Nayarit, and thinks he was born to dedicate himself to art. He grew up surrounded by great teachers, the main one being his father, Mariano Valadez, a distinguished artist who has more than 50 years of experience, who is considered a living legend of Huichol art.
Cilau and his family are characterized by painting with yarn, a technique that consists of using a wooden base to which a layer of beeswax or pine resin is applied so that the yarn adheres, which is pressed with a tool that is a needle that has an eagle feather. These creations are called Nierikas.
The dynasty to which the young Chile Mobile Number List artist belongs has preserved this method for generations, and stands out for the quality of its work. "We were always known for having the finest fabrics and care for every detail in the yarn, not so much for the scale or size of the works," said the 34-year-old artist. Valadez has traveled the world extolling Mexican popular art through presentations in America, Europe, as well as others in Oceania and Asia.
In 2006, Cilau Valadez made his first professional painting, in which he captured the meaning of his name, which is "the vibration of dawn." This piece marked the beginning of her career, since thanks to her the Atotonilco Gallery, in San Miguel de Allende, made her first order, which was a piece called "The Big Surprise." This work is key in Cilau's career, because it is there where she ends up defining his style, driven by the teachings of his teacher Marakame don Julio and by the influence of her life outside of tradition. wixárika .
The artist's paintings are inspired by three branches: one is the Wixárika tradition that comes from songs and prayers; another is from the visions that he obtains in ceremonies and the last are personal contributions. He usually works on round surfaces, although he also paints on square or rectangular areas. A piece of 60 centimeters in diameter takes a minimum of 28 days to make, but there are others of the same size that can take up to two months, depending on the details and colors used in each one.
The Biennial, an artistic, cultural and ethnic meeting that you cannot miss
The 3rd. Huichol Art Biennial is an anthropological, artistic, cultural, academic and ethnic meeting in which fascinating large-format pieces are exhibited, created finely and meticulously in every detail by different women and men artisans. This Biennial is on display in the lobby of the Presidente InterContinental hotel located in Polanco in CDMX and seeks to create a sustainable ecosystem around Mexican popular culture, especially Huichol, and will have exhibitions in different cities in Mexico such as Valle de Guadalupe, Los Cabos, Riviera Nayarit and Tulum. As well as a promising international tour.
The director and founder of the Biennial Mtro. Jorge Martínez has specialized in indigenous anthropology, Huichol culture and art for more than 15 years, which led him to give life to this great project that is the most important competition of this cultural expression. This Biennial has the endorsement of important juries such as the curatorship of Dr. Johannes Neurath, Director of the Cora Huichol Room of the National Museum of Anthropology and president of the jury committee. Works participate in the Biennial that will be evaluated by a panel of experts and based on a thorough review of technique, style, iconographic meaning and composition. The winner will receive conscious support for the sustainability of their project.